《傲慢与偏见》(Pride and prejudice)是简·奥斯汀最早完成的作品之一.这部作品以日常生活为素材，一反当时社会上流行的感伤小说的内容和矫揉造作的写作方法，生动地反映 了18世纪末到19世纪初处于保守和闭塞状态下的英国乡镇生活和世态人情。这部社会风情画式的小说不仅在当时吸引着广大的读者，时至今日,仍给读者以独特 的艺术享受。
"Oh! my dear brother," replied Mrs. Bennet, "that is exactly what I could most wish for. And now do, when you get to town, find them out, wherever they may be; and if they are not married already, make them marry. And as for wedding clothes, do not let them wait for that, but tell Lydia she shall have as much money as she chuses to buy them, after they are married. And, above all things, keep Mr. Bennet from fighting. Tell him what a dreadful state I am in, -- that I am frightened out of my wits; and have such tremblings, such flutterings all over me such spasms in my side, and pains in my head, and such beatings at heart, that I can get no rest by night nor by day. And tell my dear Lydia, not to give any directions about her clothes till she has seen me, for she does not know which are the best warehouses. Oh, brother, how kind you are! I know you will contrive it all."
But Mr. Gardiner, though he assured her again of his earnest endeavours in the cause, could not avoid recommending moderation to her, as well in her hopes as her fears; and, after talking with her in this manner till dinner was on table, they left her to vent all her feelings on the housekeeper, who attended in the absence of her daughters.
Though her brother and sister were persuaded that there was no real occasion for such a seclusion from the family, they did not attempt to oppose it, for they knew that she had not prudence enough to hold her tongue before the servants while they waited at table, and judged it better that one only of the household, and the one whom they could most trust, should comprehend all her fears and solicitude on the subject.
In the dining-room they were soon joined by Mary and Kitty, who had been too busily engaged in their separate apartments, to make their appearance before. One came from her books, and the other from her toilette. The faces of both, however, were tolerably calm; and no change was visible in either, except that the loss of her favourite sister, or the anger which she had herself incurred in the business, had given something more of fretfulness than usual to the accents of Kitty. As for Mary, she was mistress enough of herself to whisper to Elizabeth, with a countenance of grave reflection, soon after they were seated at table,
"This is a most unfortunate affair; and will probably be much talked of. But we must stem the tide of malice, and pour into the wounded bosoms of each other the balm of sisterly consolation."
Then, perceiving in Elizabeth no inclination of replying, she added, "Unhappy as the event must be for Lydia, we may draw from it this useful lesson: that loss of virtue in a female is irretrievable -- that one false step involves her in endless ruin -- that her reputation is no less brittle than it is beautiful, -- and that she cannot be too much guarded in her behaviour towards the undeserving of the other sex."
Elizabeth lifted up her eyes in amazement, but was too much oppressed to make any reply. Mary, however, continued to console herself with such kind of moral extractions from the evil before them.